The glimmering goddess, the masked ones, and a special download


The glimmering goddess, the masked ones, and a special download

9 October 2025

Welcome to issue 9 of Tales from the Chase, a weekly newsletter for Cranborne Chase. Local events. Odd tales. Mildly strange goings-on. All delivered by email, free, and occasionally unhinged (in a charming way). Was this email forwarded to you? You can sign up for free by clicking below!

WELCOME BACK, STRANGE COMPANIONS

October deepens, and so we meet again. And there's something special for you this week.

About that Library of Unfinished Weather…

A few of you wrote in after last week’s piece on the Forgotten Footpath Society asking, “Wait; what exactly is the Library of Unfinished Weather?”

Good question. I asked the FFS for more details, and they kindly agreed to share a bit more. In fact, they let me take a scanned copy of their archival material from the 1930s, which details their last recorded visit to the Library.

There are a couple of redactions (including the grid reference, for obvious reasons), but it makes for fascinating reading.

Download the pdf here: Library of unfinished weather archive note.pdf

This week also brings fresh accounts from the Chase:

  • a fox with an unusual glint in its eye
  • a long overdue meeting
  • a tale of masks, mystery (and deer)
  • Bourton's toenail of the Chase.

The Glimmering goddess

It was a moonlit night and wisps of mist lay low to the ground. The river Ebble ran bright, laying a silver path through the Chalke valley. A fox trotted through the dew-damp grass, its paws soundless, its nose twitching at the scents of the night. It was a shrewd, secret old creature, wise in the ways of men and spirits alike.

As it came near the river, a movement caught its eye. It saw a man standing by the water’s edge. The fox paused, watching from the edge of the shadows, ears flicking. The man was muttering softly, the way men do when they meddle with matters best left alone. Then, he began to whistle a tune, clear and low, swaying and stepping in rhythm, thumbs hooked into his belt, his boots scuffing patterns on the riverbank.

The fox watched in surprise. It was not often he saw humans by the river at this hour of night, when the stars were out and the moon hung full in the sky. Still less did he see one whistling and dancing. He knew the dances of hares and birds, but not the dances of men. To his keen eyes, the man’s movements seemed more like a summoning.

Then the music ceased. The man was still. The silence deepened. And the river stirred.

From the dark surface rose a woman all of a pale shining light, her hair streaming like water, her face like moonlit frost. She came walking towards the man, and her feet left no ripple on the stream.

The fox’s fur bristled, for it knew her kind. And in its dry, foxy voice it said to itself, “Ah… the glimmering goddess. The man is doomed.”

Then it turned away, slipping into the dark with the quiet grace of all wild things. As it went, for an instant there was a flash from its eye, sharp and cold like a mirror reflecting moonlight.

And by the river, the man and the shining woman stood alone, like statues, while the valley held its breath.

FALLOW DEER: THE MASKED HERD

Though often thought of as “just” a Norman import, the story of the fallow deer (Dama dama) in Britain is richer and more complex. Fossil remains show that fallow deer were present during interglacial periods (for example in the Eemian or Ipswichian period, about 130,000-115,000 years ago), but they died out in Britain during the last Ice Age.

The first human‐assisted re-introduction came in the Roman period. Archaeological finds (notably from Fishbourne Roman Palace in Sussex) suggest fallow deer were brought from the western Mediterranean and kept in enclosures or 'vivaria'. After the collapse of Roman power, that population seems to have died out.

They were reintroduced again in the 11th century by the Normans, this time from the eastern Mediterranean or Anatolia, and established more permanently. Over succeeding centuries, deer park culture and aristocratic hunting helped spread them, and many of today’s free-roaming populations, including that in the Chase, descend from those medieval populations.

Though not strictly native in the sense of continuous presence since the last Ice Age, fallow deer have become thoroughly naturalised in Britain. Their forms and habits are deeply woven into our woodlands, parks and cultural history, often encountered in graceful herds drifting between shadow and light.

Their mottled summer coats, white-spotted like dappled sunlight, and their great palmated antlers lend them a faintly regal, almost heraldic air, like they’ve stepped out of an illuminated manuscript.

October is the rutting season, when the bucks stake out small territories known as “stands.” They thrash the ground, clash antlers, and groan hoarsely to advertise their strength, the woodlands echoing with their peculiar calls. The strongest bucks may attract several does, leading to fawns born in high summer, often lying hidden in tall grass with just their dappled coats for camouflage.

But for all their history and beauty, there is something disquieting about them. They move in herds like drifting smoke, elegantly vanishing into cover with uncanny timing. In woodland, you rarely see just one, always a cluster, half-hidden, as though the forest itself has grown eyes. Many bodies moving as one, many eyes fixed upon you.

Fallow folklore

However there are those who say that fallow deer, rather than red or roe, are often the focus of these tales. Perhaps because of the presence of white specimens (the white hart, or hind) and also darker variants. Maybe because they were introduced, they never entirely lost the feeling of being “other”, of not quite belonging. They therefore easily take on the roles that folkloric deer often do: otherworldly guides, omens, or focal points of local wonder.

In the Chase, some say they are borrowed animals, not truly of this world, their herds moving like shadows from elsewhere. More than one poacher swore he counted the herd twice and found an extra beast among them, pale and silent.

I’d also heard a particularly odd rumour. That the fallow deer wear masks, and that what looks back at you is not always the deer at all. Curious, I met again with Rufus Penn, local wildlife expert and student of the Chase’s older mysteries, to see what he could tell me about the stories.

The Masked Ones

Rufus knows the Chase like a living map, and where the fallow herds can be found. And so we met at dusk on the edge of a field near Bowerchalke. A fallow herd stood there, statuesque, heads all raised in eerie unison as though they had known we were coming.

I asked him about this air of strangeness fallows have, their reputation in the Chase, about the masks. He nodded gravely, as though he had been expecting the questions.

“People often think of them as ornament,” he said. “Pretty creatures from royal parks and medieval tapestries. But here in the Chase, we’ve always known they're more than that. We’ve hunted them, yes, and taken their meat, but no one trusts them fully. One herd in particular, the old one, is left alone. Best that way.”

He lowered his voice. “There’s an old name for this herd: the Masked Ones. Because they say the deer in this herd don’t wear their true faces. And what stares back through those black eyes may not be deer at all.”

Rufus didn’t move. “If you watch closely,” he murmured, “sometimes you’ll see it. Not their bodies, just their faces. They shift, just for a heartbeat. A different face staring back. Not deer at all. Something older, wearing the deer-shape like a mask.”

I looked again at the herd in the clearing, waiting. Dozens of them. Still as statues, every head raised toward us. "Is it this herd? The Masked Ones?" I asked, unsettled.

“If you find yourself in their midst,” Rufus went on, ignoring my question, “and they all turn their heads to you together, you might see the mask slip. And if you do, some say it takes your reflection. You give it a piece of your face, and it lends you a piece of its own”. After a pause, "Sometimes people don’t come back at all. They run with the herd.”

Just then, the herd shifted. A ripple passed through them, bodies moving as one. And for the briefest instant, in the dying light of the dusk, I thought I saw something else: pale faces, human-like but wrong, staring out from behind the spotted hides. Then they bounded away, silent as shadows, leaving the field empty.

Whispers of the Masked Ones

Later, over a pint in the Queen's Head at Broad Chalke, Rufus told me other snippets of tales of the Masked Ones.

“Never count a fallow herd twice" he said. "If you do, and you find one more on the second count, it's a sign of the Masked Ones. The extra body could be you. It's a kind of threat, I suppose. Stay well away.”

He told of old poachers who followed fallow tracks that would end in bare soil with no exit, as though the deer had simply stepped out of the world. Sometimes there was a faint drum of hooves circling like ghosts. A sign that the Masked Ones travel between worlds.

Poachers also spoke of falling asleep in the woods and waking to the sound of hooves all around them, but opened their eyes to see nothing but the forest, and no deer tracks in the soil.

"Sometimes folk hang fallow antlers over the hearth in their homes" he said. "Folk say it brings luck. But luck’s a thin edge. It can invite the herd into your dreams. The Masked Ones step through dreams as easily as smoke through cobwebs. Leave the antlers to the woods".

He told me of a children's rhyme, that seemed to refer to the Masked Ones. “Spots in the sun, run, run, run. Spots in the shade, the mask is made.” No one knew or agreed what it meant, but none liked saying it after dark.

Finally, he told of a man who found tracks in damp mud by the Ebble, deep and perfect. He saw a man’s bare foot, set among the deer’s slotted hoof prints. He took this as a sign that there are shapes the Masked Ones wear that look like us. Or maybe once were one of us.

As we left the pub into the night, Rufus seemed thoughtful, his eyes shadowed beneath the brim of his hat. When I asked if he’d ever been with a herd and seen a mask slip, he only smiled. For an instant, his eyes seemed darker, deeper, as if something else peered out. And on his cheek, for the briefest moment, was that the pale dappling of a fallow coat in summer, or the effect of the moonlight through the roadside trees?

Back at home, I caught my reflection in the window before drawing the curtains. For a heartbeat, the face looking back at me seemed oddly still, oddly watchful. As though it were not wholly my own.

Maybe it was nothing.
Or maybe the herd had counted me in.

A parish by parish tour of the Chase

Onwards. Our parish-by-parish pilgrimage through the Chase’s 108 parishes. Alphabetical order, of course; Hubert's in charge and he likes methodical.

This week, another curious one; Bourton. Like Blandford Forum last week, only part of it. A very very small part.

Bourton (part of)

The most northerly parish in Dorset, Bourton (pop. just over 800) is the only parish in the county that touches both Wiltshire and Somerset. However, only the tiniest sliver of it is actually within the Chase boundary (about 3 acres). Hubert has the unenviable task of finding something to say about this microscopic portion!

Some brief info of a non-Chase related variety, for the interested. Historically, Bourton was a mill village. The River Stour powered no fewer than three mills, the most famous being Bourton Mill. It is mentioned in the Domesday book and has lived many lives, including as a cloth mill, a foundry, an engineering works, a hand grenade manufacturer, and finally a dried milk processing plant, before finally closing its doors in 1998. The site has been redeveloped with houses.

The point at which the counties of Dorset, Somerset and Wiltshire meet is located near the lake at the rear of (former) Bourton Mill, and is said to be marked by one of several candidates for "Egbert's Stone". In 878 the stone (whichever of the candidates it was) possibly formed the rallying point for Alfred the Great's troops before the Battle of Ethandun.

The map below shows the extent of the land in Bourton parish that is also in the Chase...basically a sliver of mainly wooded hillside.

Anyway, here's Hubert's guide. All views expressed are Hubert's own, and not necessarily shared by Tales from the Chase.

BOURTON (part of; a really really small part of)

Ah yes, Bourton’s glorious contribution to the Chase. A steep, wooded slope with a country lane sulking along the bottom and this rather salubrious gate, bristling with barbed wire and warnings:

Records apparently claim it was once a locale for sand extraction; and there is also, allegedly, a lawful use for one small, “mainly subterranean” dwelling. Quite what sort of life that entails, I can’t imagine, though the post still arrives, addressed to “The Occupier,” as if the hillside itself were expecting letters. No signs of life above ground from my cursory inspection, though I didn’t linger. If anyone is down there, they clearly value their privacy.

To say that this thin morsel of land qualifies Bourton as ‘part of the Chase’ is like claiming a toenail clipping counts as part of a person. Admittedly, that’s true for DNA analysis, certain legal disputes, and the more inventive branches of witchcraft, but it’s hardly something to boast about.

So when I was asked to “say something about Bourton’s section of the Chase,” I assumed there’d been a mistake. Perhaps a missing map, or an area that had fallen off. But no: this is it. Three acres of mainly leafy slope with a mysterious subterranean occupant. The Chase's proud toenail clipping.

There’s nothing to see, nothing to say, and yet here I am, again, writing about it because silence, apparently, doesn’t meet the brief.

Still, it exists, so technically Bourton has land within the Chase boundary. My will to describe it any further has, however, expired.

If you must visit Bourton’s minuscule fragment of the Chase, do yourself a favour and keep walking north into Somerset. There’s a lot more Chase up there; the toes, the foot, and a respectable portion of the lower leg, at least. Possibly even a knee.

NEXT WEEK: BOWERCHALKE

Compared to Bourton's paltry offering, prepare to be utterly overwhelmed. Back to some full bodied Chase landscape.

I suppose this is yet another example of how administrative boundaries and landscape character areas are drawn by different people at different times (in this case centuries apart) and for different purposes! A reminder that the landscape has ideas of its own.

Do visit Bourton, but not necessarily to view its small Chase contribution, which is arguably of interest only to completists. The village is a good starting point for walks into the Chase. Wander north from the village, and you're soon in the Chase, perhaps taking the waymarked Stour Valley Way from Bourton Bridge and looping back on paths to the west via the Monarch's Way and Penselwood. Or walk to Stourhead and back. The wealth of public rights of way in the area will take you through classic countryside of the Greensand Hills, taking in three counties along the way: Dorset, Somerset, and Wiltshire.

Hit reply on this email if you want some tips about walking routes from Bourton, I'd be happy to advise!

And the stage goes dark. The fox is back inside his lair, Hubert’s belated words and whistles hang in the air, while Ebble glimmers. Beware the masked ones.

Hope you enjoy the sneak peek at an item from the FFS archive in the download link above, let me know what you think (hit reply!).

We’ll meet again next time, to chase the past.

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