A perilous sentence; beware ancient luminous phenomena wandering about before dawn


A perilous sentence; beware ancient luminous phenomena wandering about before dawn

21 May 2026

Welcome to issue 35 of Tales from the Chase, a free fortnightly publication exploring the landscapes, folklore, hidden histories and strange corners of Cranborne Chase. Definitely strange, occasionally amusing, and always assembled with care — delivered straight to your inbox every other Thursday. Was this email forwarded to you? You can sign up for free by clicking below!

welcome, curious friends

This week in the Chase

Regular readers will know that Tales from the Chase enjoys blurring the line between history and invention, and often wanders into a small world of its own. Apologies to any readers who may occasionally have taken more of it literally than was wise. The moths will leave eventually, give them time. The blend of actual facts (yes there are some!) and imagination means it's not always easy to see where one ends and the other begins.

Bearing that in mind, this week we have a piece from Isla, who may or may not be a made up person, about her findings on an old medieval document, which may or may not exist, regarding monks and a strange light. Which all sounds perfectly reasonable by the standards of the eleventh century.

There's also a brief update on the latest and ongoing Hubert vs Ebble situation. And Hubert's guide to Donhead St Mary, a parish of many parts, at least one of which is possibly imaginary.

So read on and try not to get too attached to any one version of events.

hubert vs ebble: an update

I met Isla Cobb recently, up on the bench by the beech clump on top of Win Green, to pick up her contribution to this issue's 'Lore of the Chase' feature, but I also took the opportunity to ask what she had heard about how Hubert was dealing with the matter raised in Ebble's letter (see issue 34 for details).

“He's not replied yet, as far as I’ve heard" she said. "Though I gather he's looking damp, and Gerald’s apparently been seen following him about with the expression of a disappointed undertaker.”

“The trouble is," she went on, "Hubert always thinks if he explains himself clearly enough then people will stop being angry with him. Which is a touching theory. Unfortunately phrases like ‘I can explain’ are usually the start of another load of nonsense.”

I asked whether she had anything more specific.

“I’ve heard bits from sources,” she continued. “Nothing reliable enough to quote directly, but apparently his current strategy involves insisting he was ‘merely alarmed’ by Aelwyn.”

“Also, and this is only hearsay from the lads in the pub, he may be intending to argue that describing someone as decorative does not technically constitute flirting.”

I asked whether Ebble was likely to accept that distinction.

Isla gave me a look.

“She’s a wild and untamed spirit, the immortal embodiment of a natural feature of the landscape, not a planning inspector. Technicalities are not really her thing.”

From inside her satchel she produced a slim booklet and handed it over.

On the front were the words:

ON RESPONDING TO A GENIUS LOCI WHO INSISTS THEY ARE NOT JEALOUS
A Practical Guide by Isla Cobb

Below this, in smaller lettering:

Second Edition, revised after the Otter Incident.

“Useful little thing,” she said. “Give it to him and tell him to take note and act accordingly.”

Later that day I headed up to Faulstone Drove and tucked the booklet into the copy of Tess in Hubert's dropbox in the tree roots, with a post-it note on the front saying "Don't reply until you have read this; good advice. Take it".

While working through digitised Dorset records at the British Library last year, Isla Cobb came across a cramped series of additions scribbled onto an untitled, unsigned sheet attached to an early tenth-century boundary charter from Cranborne Priory.

The text itself is puzzling enough, but what caught Cobb’s attention were the monk’s marginal notes. In the essay below, she seeks to reconstruct the monk's thought process as he makes some unsettling connections.

What does the Leoma* seek

*Leoma: Old English word for radiance, light, gleam.

A story by Isla Cobb

Let me take you back to the scriptorium of Saint Bartholomew at Cranborne Priory in the year 1032. Cranborne stood then within the great wooded Chase, already ancient long before the priory bells first sounded. The old country still lay all around, much of it wild or half-tamed.

And here, in the winter of that year, we meet Frater Alwinus.

He was a careful man, trusted with documents because he had the sort of mind that disliked disorder instinctively. He believed, as many scribes did, that to name a thing correctly was to fix it safely in the world.

Which is why what he had found unsettled him so deeply.

The boundary charter on Frater Alwinus's desk had something attached to it, a separate sheet written in a hand that did not match any of those on the charter. It was in the vernacular, and was unsigned. It seemed to have nothing whatsoever to do with the demarcation of the land tenanted by Godwin the Elder.

No one else in the scriptorium seemed to have taken much note of it. Brother Osbert, who had logged the charter into the house register, had written only Boundary agreement, Pentric lands, with vernacular addendum.

Alwinus was not a man who habitually wrote in margins. He thought that commentary belonged in more formal commentaries, which had their own proper form and their own proper place in the library.

But something in the manuscript compelled him to write into the narrow blank space beside these difficult words. He wrote in the hope that those who came after him might understand the unease the text had stirred in him, an unease born partly from theology, but mostly from his knowledge of the Chase itself, and from conversations held over many years with local elders and peasants who knew the land and its older ways better than any cleric ever could. Indeed, he found that he knew more of the phenomenon described in the text than he was comfortable with.

He wrote in small and careful script, with the hand of a man writing important things down before the importance escaped him.

On þe Midsumor-morne, the fragment began, when þe world haldeth its breþe þer riseth in þe Est a Leoma not of sunne.

On the midsummer morning, there rises in the East a radiance not of the sun.

He wrote beside it: I have heard from the old ones that the light walks before the sun as a herald not sent by God. They name it not as creature nor as sign, but as a thing apart from Creation. It shines not for men, and therefore men ought not to look upon it.

He had heard this, he thought, from old Wulfric of Pentric, who said it in a way that was not fearful, exactly, but careful in the way that people who live near deep water are careful: not because they are afraid of the water, but because they have a clear-eyed understanding of what the water can do.

Alwinus had been nineteen then, newly at the abbey, making himself useful by taking inventories of the outlying farms. He had thought Wulfric's statement was picturesque peasant speech and had written it in his notes as a curiosity. Twenty years later, in the scriptorium, he found himself writing it in the margin of a fragment attached to a boundary charter. Perhaps Wulfric had been right about what kind of thing it was.

It standeth bifor þe day, and þe day knoweth it not.

He sat with this line for a long time before writing anything beside it. The theological difficulty was real, and he was a man who took theological difficulties seriously. How can a thing stand before the day which the Lord made? The day was created as the first ordering of light from dark. Fiat lux, and there was light, and it was good. Before that ordering lay only the unshaped world: darkness upon the deep, the waters without form, and the Spirit of God moving over them.

And yet the fragment said: the day knoweth it not. Not that the strange light failed to know the day, but that the day itself, the ordered world of God’s making, did not recognise the Leoma. The distinction troubled Alwinus deeply. It suggested something older moving unseen alongside Creation, outside the proper knowledge of the world.

He wrote: How can a thing stand before the Day which the Lord made? If the day knoweth it not, perhaps it belongeth to that unshaped time before the first ordering of light from darkness. The elders fear all mention of things that seem older than the dawn. I set these words here only that others may take warning.

It was not, he felt, a fully satisfying theological resolution. But it was an honest one, which he thought was valuable for future readers.

No mon shal looke on it longe, for it seeth þe lokere. It marketh hem þat marke it.

He recalled that Brother Eadferth had been a quiet man; reliable, with a fundamental absence of the kind of interior turbulence that makes men unpredictable. He had worked in the scriptorium for eight years without particular distinction, copying agricultural records and property surveys with a steady hand and the satisfaction of a man whose work matched his temperament exactly.

Alwinus had been with Eadferth on the lands near Pentric when Eadferth looked east before dawn on the solstice.

They were staying then at a timber grange where the priory kept sheep and barley fields. Alwinus had come to settle a dispute concerning boundary stones; Eadferth accompanied him as witness and assistant.

It was well-known that none of the locals here would enter the East field until after sunrise.

There stood in the field an ancient barrow, grass-grown and hollowed slightly at its crown. Alwinus and Eadferth assumed, as educated men often did, that the peasants’ reluctance sprang from the old burial mound and the usual superstitions that gathered around such places in the Chase.

Only later did Alwinus begin to suspect the villagers had feared something else entirely.

On the solstice morning they rose before dawn with the peasants. Alwinus had wondered at a strange luminance at the narrow window of the grange, but busied himself with his preparations for the day ahead. After a time he went to the window and had seen Eadferth standing motionless in the distance, way off in the East field beneath the first signs of the rising sun in the sky. At first he thought the brother was merely watching the sunrise. But there was something wrong in the stillness of him.

Alwinus hurried out through the grass, damp with dew. As he approached, Eadferth did not turn at the calling of his name. He stood entranced and speechless, his face angled toward the eastern horizon, his eyes drawn always back toward whatever lingered there.

He had been taken in from the East field and put to bed, and he had slept for three days, the sleep of someone engaged in something strenuous elsewhere. His eyes moved behind their lids. His lips moved without sound. He gripped the blanket at intervals with an urgency that made whoever was sitting with him that hour look away.

When he woke, he ate half a loaf of bread without speaking and drank a full cup of water, and then sat for a while with his hands in his lap.

Then he had said: “A brightness waited to speak with me, but had no mouth. They had waited long”.

He would say nothing else about it. He was otherwise entirely himself again: steady, quiet, unremarkable. He worked in the scriptorium for another twelve years before he died of a winter fever. Whatever he had seen on the other side of those three wandering days had gone with him to the grave.

Alwinus wrote: This I believe. For Brother Eadferth looked eastward on the solstice and afterward fell into strange dreams. He said a brightness waited to speak with him but had no mouth. His soul wandered for three days before he woke. He would not speak of what he saw, save that they had waited long.

He considered whether to add more. He decided that more would be less.

Cease thy hande from þe scythe, bind þe gate, and turne not toward þe Est lest þe Leoma count þe steppes of thy soul.

Several summers before he discovered the manuscript, Alwinus had already heard the old cautions surrounding the East field at Pentric. No man, the tenants said, should begin the midsummer hay cutting there before sunrise. The older labourers would not speak of it.

Alwinus regarded most of it as ordinary peasant superstition. The Chase bred such stories easily.

Then, in the summer after Eadferth’s death, warm weather brought the meadow-grass ready earlier than expected. He attempted to find men willing to enter the East field at midsummer dawn with scythes, to cut the hay before the heat of the day.

He had asked six men. He had asked carefully and had thought he was quite persuasive. Not one would go.

The last man he had asked was Edmund. He had once wielded his scythe through thunder, storm and hail after all others had left the fields. Edmund had looked at Alwinus for a moment with an expression that suggested he was revising his estimate of the monk's intelligence downward.

He had said: Let the Leoma have its walking-place. A field may be reaped and grow again; a soul once taken may not.

Alwinus wrote it down in the margin exactly as Edmund had said it, because it was better than anything he could have composed himself.

…when þe Leoma walketh þe fieldes, þe lamb freezeth in stride, þe dewe hangeth unfallen, and al þe world holdeth as in un-made houre.

He wrote: I have seen the sheep stand as if carved. They slept not, they feared not, they were simply still as stone, as if time itself had ceased for several beats of the heart. Those moments felt long.

He had seen it twice: once in the East field at Pentric at first light, once, disturbingly, closer to the abbey's own fence line, a cluster of six ewes simply stopped in their various attitudes of grazing and walking, like a painting of sheep rather than sheep themselves. Both times the moment had been brief.

Both times the sun had not yet risen, yet from the corner of his eye he was aware of a strange light, cold and faintly blue, a light not of the sky.

Both times he had instinctively looked down, turned his gaze anywhere but east.

He remembered what happened to Brother Eadferth and what Edmund had said about the Leoma, fields and souls, and whatever instinct had kept his eyes turned away from the East, he was grateful for it.

Follow not þe Leoma, for it goeth not wher men may go. It seeketh þe old þings and þos þat were lost bifor their birthe.

Outside the scriptorium window, the winter afternoon was growing toward dark. The fire in the corner of the room needed tending, and Brother Osbert was making the small sounds of a man preparing to stop work for the day.

He wrote: Old things indeed. Things that walked when the first stones were raised. I pray we may never know what the Leoma seeks nor count ourselves among its reckonings.

He read it back. He thought it lacked scholarship and was barely even useful commentary. It was a monk at a desk in winter writing about something that did not fit inside the categories available to him, while something older than charters walked the East field at midsummer, seeking whatever it sought.

…and when þe Leoma turneth, who shall it reme

Reme. The word seemed half-known to him. It carried echoes of reckoning and ordering, of things measured, placed, or made right. Yet he could not be certain of any meaning.

When the Leoma turneth.

Until that moment he had imagined the Leoma as a thing that had fixed habits. It was dangerous, ancient, unknowable, but consistent. It walked shining in the East field at midsummer. It appeared before dawn. It sought old things. Perhaps it had also been closer to the Abbey; he recalled the six ewes frozen in motion by the fence that day, and the light nearby that he did not look towards.

Turning implied attention. A thing that turns has noticed something.

Alwinus looked down at his own annotations crowding the margins. All his careful little reasonings, his cautious theology, his tidy recording of peasant sayings and remembered incidents. It occurred to him that commentary itself might be a form of looking.

That to seek to define or describe a thing was to incline oneself toward it however slightly.

That perhaps whoever wrote this, generations before, had realised this too late. For the first time, Alwinus wondered uneasily whether he himself had already begun to do the same.

Alwinus took up the knife used for scraping errors from vellum. His hand hovered over the final line a long while. Then, because habit remained stronger than fear, he put down the knife and added one final note beside the line.

I judge this sentence perilous, not for what it saith, but for what it inviteth the mind to ask thereafter.

Outside, beyond the abbey walls, the winter wind moved eastward across the dark fields of Cranborne Chase, passing over the frozen ground where, in six months' time, the Leoma would once again arrive before the sun, bringing ‘those who wait.’

He capped the ink, aligned the charter and its attached fragment carefully on the desk and weighted its corners. Brother Osbert had already left for vespers, and the scriptorium was empty. He picked up his candle and firmly closed the door behind him.

The charter and its attached sheet sat upon the desk in the dark. In the margins, the small careful hand waited to be read by someone who might, in centuries yet to come, understand more of what troubled Alwinus than Alwinus himself ever could.

Isla’s notes

I have seen the manuscript, and read much of the scholarship that goes with it. At face value it reads as typical medieval superstition.

Yet I find that some details are difficult to dismiss entirely. The idea of a pre-dawn midsummer phenomenon near an ancient barrow in a field on the estate of a medieval priory, in that exact landscape, is grounded in real prehistoric ritual geography. Pentric, or modern Pentridge, is located close to one end of the Dorset Cursus, a Neolithic earthwork running across Cranborne Chase. It's by far the largest of its class of ancient monument, over three times longer than the Great Cursus near Stonehenge. The relationship between the Cursus and the alignment of surrounding long barrows suggests they had a common ritual significance to Neolithic people. Researchers have connected it to solstice observance.

The East field near modern Pentridge retained an unusual reputation well into the twentieth century. Agricultural records mention repeated reluctance among labourers to work there before sunrise at midsummer. A Dorset folklorist writing in 1878 recorded the local saying:

“Never stand eastward waiting for the day,
Lest something older lights the land and takes the day away.”

More curious still is the final word of the text, which seems to be unfinished:

...and when þe Leoma turneth, who shall it reme

Recent studies consider that “reme” is not a word itself but the start of a word that has not been completed. No consensus exists regarding its intended ending. “Remember,” “remeasure,” and “remedy” have all been proposed. One scholar argued for “remake,” though privately admitted the suggestion disturbed him enough that he abandoned a planned monograph on the text altogether.

As for myself, I think perhaps the word was interrupted rather than abandoned deliberately.

The final stroke ends too cleanly. The space after it is too deliberate. A scribe accustomed to vellum does not simply lose his hand midway through a word without leaving some sign like a drag of ink, a broken line, a blot where the quill paused uncertainly.

There is nothing of the sort here.

It is as though the writer ceased to be present before he could complete the thought.

The older folklore of the Chase has many examples of people who disappear, and not always bodily. Sometimes they return, altered in ways difficult to describe. They may have lost interest in ordinary speech. They ceased attending feast days. Some developed an aversion to church bells or refuse to face east at dawn.

A sixteenth-century account contains the curious notation:

“Three gone at summer turning. No bodies found. The old men say the light walked.”

Such reports are usually dismissed as embellishment or coincidence. Yet one notices that the local prohibitions in specific locations remained remarkably consistent across centuries: do not watch the eastern horizon before sunrise, do not follow lights across the fields, and do not answer if something calls without a voice.

Hubert's take on the Leoma

The peasants in this story understand perfectly well what the danger is. They just know not to stand in the haunted field staring at the eldritch light like a stunned cow.

“‘It marketh hem þat marke it.’ There. Entire problem summarised in one line. Tenth century rural Dorset achieves in seven words what the Enlightenment and modern philosophy failed to manage for centuries. The danger lies in attention.

You see this constantly in old stories. Fairies, ghosts, devils, corpse-lights, whatever. The peril is in engagement. So don't look too long, or follow, or name something. Inviting attention is the problem.

As for the unfinished word, I think the poor bastard was interrupted. The obvious answer is that the Leoma and/or ‘those who wait’ turned up while he was writing about them. Frankly, the man had only himself to blame.

In any case, Alwinus reaches the right conclusion eventually. The sensible response to ancient luminous phenomena wandering about prehistoric landscapes before dawn is to go home and allow said ancient phenomena to get on with whatever weirdness they were up to before human beings decided every mystery required them to poke their nose in.

A parish by parish tour of the Chase

DONHEAD ST mary

DONHEAD ST MARY

Ah, Donhead St Mary. It’s absurdly large, geographically. The parish sprawls from the high chalk country around Win Green and beyond, southward into lonely downland and hidden valleys, northward into the woods and folds of the Vale of Wardour, westward to the edge of Shaftesbury. Some scraps near the town fall outside the National Landscape designation, but there is no reason to discuss those bits. They are best regarded as the geographical equivalent of clearing one’s throat.

A little over a thousand humans call it home, obviously happy to live in a place where winter fog occasionally appears to have nefarious intentions.

Away from the A30 the lanes narrow almost immediately into twisty hedge-lined corridors that will punish driver confidence. The whole place feels dispersed, secretive. Houses appear unexpectedly. There are hollows where phone signals go to die. Mist lingers oddly. Vistas open and close. Old stone walls and cottages at times appear to have been grown rather than built.

Notable for:

Not being just one village. It contains a loose arrangement of settlements threaded together by lanes originally designed to accommodate medieval livestock movements and seemingly incompatible with the modern motorcar.

Locals occasionally refer to “the four villages”, these being Donhead St Mary, Ludwell, Charlton, and the Coombes, of which there are three: Lower, Middle and Higher. The term "villages" seems optimistic given that some of these are just scattered arrangements of lanes and buildings.

Also notable

The River Nadder rises here, seeping from multiple springs before wandering east toward Salisbury. Water appears everywhere: springs bubbling from banks, streams vanishing beneath hedges, damp hollows that never seem entirely dry even in the driest times.

Castle Rings, an Iron Age hillfort. Vast earthworks hide among trees. The sort of place where one expects to encounter ravens delivering prophecies.

Donhead St Mary (the village). The village is arguably the heart of the parish that shares its name, and is possibly the place from which all the weirdness comes. You might call it the main village in the parish, in the way you might call a cloud “the main cloud.” The Grade 1 listed Church of St Mary is here on a spur of high ground, at what might be called the centre of the village if you were so inclined. It's a fine example of what happens when a village can’t quite be bothered to become a village. Instead of assembling itself around a green with a duck pond and a tea shop, it disperses along the lanes as though trying to avoid eye contact with the outside world.

The garden at Shute House. Up the lane from St Mary’s Church, Shute House has a Registered Garden designed in the 20th century largely by Sir Geoffrey Jellicoe, a man who believed gardens should contain symbolism and myth. He considered Shute among his finest works, which in gardening circles is roughly equivalent to Michelangelo favouring a particular ceiling.

Water is a key feature of the theatre of this garden. One of the Nadder’s multitude of springs is diverted through it in elaborate channels and cascades.

Visiting is tricky. It opens for selected events, guided tours and occasional National Garden Scheme days, often by advance booking or appointment. So no casual wandering, which is probably for the best.

A statue of Hermes stands atop a tall pillar in the valley adjacent to the gardens. One assumes its presence is linked to these. Other gods are reputedly lurking in the garden itself, Hermes presumably escaped or was exiled to his pillar in the land beyond.

Hermes was patron of travellers, boundaries, thieves and souls crossing into the underworld, which frankly covers an alarming amount of village life. One half expects an oracle to emerge silently from behind a tree bearing news that somebody has offended the gods again.

A strange man. On a path near Lower Coombe I encountered a tall, elderly man wearing a long dark overcoat and carrying an umbrella. As I approached, he raised one hand politely without quite waving.

Then I noticed he seemed to be standing several feet above the ground where the path dropped away into shadow down a bank.

I stopped. He inclined his head very slightly, in the manner of someone acknowledging another traveller. Then a raven croaked twice behind me, I turned to locate the bird, which I could not, and when I turned back there was nobody there.

I investigated, naturally, because I am not a complete idiot. The bank where he had been standing (floating?) was steep. A smell of cigar smoke lingered in the air.

I suggest avoiding that path now. Say this is entirely due to excess of mud, if you wish.

Ludwell is the parish’s main concession to modernity. It has a shop, a butcher (proprietor T. Buttling), a school, its own church (not St Mary), and the Grove Arms pub. The A30 passes through here, bringing just enough noise and passing traffic to remind the parish that the 21st century is technically a thing. Further along the A30 towards Shaftesbury sits the Rising Sun, another pub, also claiming to be a "coffee tavern". Not sure what that means but the coffee is reportedly decent. I didn't try it.

The high chalk downs. Up on the chalky ridge of Charlton Down and Win Green the views are vast, the entire parish spreads below in wooded folds and hidden valleys. Sometimes, the wind strengthens, and hat ownership may become hat loser-ship. There are barrows and cross dykes hinting at the ancient past. On unclear days the mist rolls across the downs with theatrical menace as if ancient gods have decided to do something different with the ambience.

Final thoughts

Donhead St Mary is the sort of place you might visit for an exploratory walk and leave wondering, slightly uneasily, whether you’ve overlooked something important. You may feel oddly reluctant to leave despite having spent some of your time there being slightly alarmed. But days later, you realise you’ve begun checking maps to see whether there might be a footpath you missed. The place has seeped into you like water into old stone.

NEXT TIME: DOWNTON

Prepare to be utterly underwhelmed.

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Tales From The Chase is a free fortnightly publication exploring the landscapes, folklore, hidden histories and strange corners of Cranborne Chase.

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Read more from Tales From The Chase is a free fortnightly publication exploring the landscapes, folklore, hidden histories and strange corners of Cranborne Chase.

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